Starting from the meticulous copy of the works by the great masters, especially from the sixteenth and seventeenth centuries, where the clash between light and shadow dominated, Samorì transforms them and reinterprets them with the shaken spirit of our century. With violent interventions, he pierces, scratches, literally peels the paint through a sudden or meticulous gesture, giving life to new works with their roots in the tradition of art history, to reach the expression of affliction with a contemporary language. While painting tends to sculpture, acquiring a tridimensionality given by the violent and refined disintegration made by the artist, at the same time the sculpture seems to liquefy or dig itself from the inside, almost looking for the dematerialisation of matter and shape itself. From dissolution to rebirth, through the continuous research which from the tragedy of death yearns for life, reached here in art paradoxically with the partial destruction of what was previously created.